Os papéis sociais dos negros e de seus senhores em casa-grande & senzala: representação textual-discursiva escravocrata ou abolicionista?. Silveira, Regina Celia Pagliuchi da85899950463, Adelson Florêncio deBarros, Adelson Florêncio de. The hypothesis of the investigation proved to be adequate, since Freyre is guided by an ideology of Pernambuco sugarcane rural power, canceling the cruelty, sadism and excessive exploitation of the slave labor force and privileges the role of the female slave, transmitter of Afro Brazilian cultural miscegenation, in order to build the myth of the sensuality of the black woman Therefore, they are conservative and enslaved values. The results indicate that the ideological and cultural values that guide Freyre in writing this work result from the patron saint values of sugar planter from Pernambuco, aiming to construct the miscegenated origins of Brazilian culture and are those that are archived in his social memory, from the family institution. The proposed research is qualitative and documental, with theoretical-analytical procedure.
Analyze the point of view projected by the author when focusing on slavery in the sugar zone of Pernambuco.
To ascertain which and how many social roles the slaves represent in the said work, comparing them with those of historiography, multimodal texts and newspaper advertisements 3. To verify, in Brazilian historiographical texts, which and how many social roles the black slaves did represent socially 2. The research is justified, because it aims to answer: Is the author of Casa Grande & Senzala a conservative enslaver or revolutionary abolitionist? The general objective is to contribute to the discursive studies of the work in question and to specific ones: 1. There are several published works, about this work, with sociological, anthropological, among others. It is a textual-discursive analysis of this work. It is justified, for this work is studied and criticized by social scientists and not by a critical vision of the discourse.
This dissertation, based on the Critical Discourse Analysis, thematizes the social roles of the masters and their slaves in Casa Grande & Senzala. This process is experimental and the keywords may be updated as the learning algorithm improves.Os papéis sociais dos negros e de seus senhores em casa-grande & senzala: representação textual-discursiva escravocrata ou abolicionista? Bibliographic Details Main Author:īiblioteca Digital de Teses e Dissertações da PUC_SP These keywords were added by machine and not by the authors. In addition to emphasizing the mutual erotic impulse that underlies master/slave relations and the young master’s formative childhood interactions with black nursemaids, the northeastern seigniorial perspective of Lima’s “poemas negros” mirrors the point of view of Casa-Grande e Senzala, wherein Freyre not only insists upon but textually performs the masterful arrogation of blackness: he is the white northeastern descendent of plantation masters who consumes and “gives voice” to the experience of African slaves. The pages that follow analyze Freyre’s “Preliminary Note” to the Poemas Negros to unravel his strategies for sustaining Lima’s authority to “write black.” Freyre is invested in Lima because his “black poems” sustain both the premise and the narrative authority of Casa-Grande e Senzala. Gilberto Freyre’s Casa-Grande e Senzala (1933) casts this same child-master figure as the emblem of African cultural incorporation during slavery. In his white-authored Poemas Negros (1947), Jorge de Lima eroticizes master/slave relations and projects the young master as the symbolic progeny of enslaved African women.
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